Drawing on the forms of hydroelectric turbines, artist Thomas Medicus suspends the site-specific glass installation EBBE at a decommissioned hydroelectric power plant in Innsbruck, Austria. The installation reveals intricate turbine-shaped shards of mirror hanging from the ceiling, its glistening forms reflecting its surroundings and contrasting the stagnant nature and robust materiality of the industrial machinery. The palindrome title EBBE — German for ebb tide — alludes to the shutdown of the power station, and expresses both the physical and symbolic reflective nature of the installation. With the aim to promote and make hydropower energy generation visible in Austria, the installation raises awareness of sensitive, imminent issues such as energy scarcity and water ecology.

all images courtesy of the author

Austrian artist Thomas Medicus’ EBBE draws on the forms of hydroelectric turbines, contrasting their sturdy and robust forms with the delicacy of reflective glass shards. With an overall diameter of approximately 2.5 meters, much of the turbine-shaped installation consists of mirrors which serve two purposes. Firstly, the material does not have an independent surface but rather takes on the appearance of the surroundings, contributing to the site-specific character of the installation. Moreover, at night the mirrors emit water-like rippling reflections throughout the hall. The vivid light and patterns are created by a rotating geometric element at the center of EBBE, composed of float glass and blue hand-blown glass, and illuminated by six LED bars.

‘The palindrome EBBE as the title of the installation not only transports the reflective character of the artwork. For as is well known, after the ebb comes the flood’, notes Medicus. The installation reflects this dichotomy, transforming the stagnant, industrial hydroelectric power plant, which was in operation from 1907 to 2004, into an enlightening, dynamic place for art and culture.

The power plant with its impressive turbine hall is a listed building. To make this space accessible to the public, the project to emphasize the historical dimension of the building while at the same time retaining its strong independent quality. Designed by Thomas Medicus, EBBE was initiated and organized by Kulturnetz Tirol within the framework of ‘Hexalux im Kraftwerk’, selected by TKI and financed by Land Tirol.

the title ‘EBBE’ expresses both the physical and symbolic reflective nature of the installation

a listed building, the hydroelectric power plant was in operation from 1907 to 2004

Thomas Medicus’ site-specific installation EBBE at a decommissioned hydroelectric power plant in Innsbruck

the glistening forms contrast the stagnant nature and robust materiality of the industrial plants

at night the mirrors emit water-like rippling reflections throughout the hall

a central rotating geometric element is composed of float glass and blue hand-blown glass

name: EBBE designer: Thomas Medicus

designboom has received this project from our ‘DIY submissions’ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.